Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Sunday, July 14, 2019

Review - "The Time Traveler's Wife" by Audrey Niffeneggar

The Time Traveler’s Wife — by Audrey Niffenegger

I knew this was a movie quite a long time ago, but assumed it was a chick flick and I wouldn’t be interested.  Then recently I read it in a list of science fiction books that mentioned that the story really did involve time travel, which got me interested in it.

I’m glad I saw that list as I really enjoyed this book.

The woman in the title is Clare, and the story revolves around her future husband, Henry.  Henry has a genetic disorder that causes him to occasionally, and without any control over it, travel through time and space to somewhere else, with only his body, no clothes or shoes, or even fillings in his teeth.  Wherever he was, his clothes just fall empty to the ground.  How long he stays is unpredictable.  He’s frequently beaten up, but has learned to fight, to steal, to pick locks, etc. in order to get clothes, food and water on his travels.  Most of his travels, at least the ones detailed in the book, are too familiar places, including hanging out with himself at other ages.

He repeatedly goes to a meadow near Clare’s house, beginning when Clare is six years old and Henry is 28.  They become friends quickly, but by then Henry knows they’ve already met and married in “real time”.   One one of his trips, when he’s older, he recites for Clare to write down a list of dates that he memorized for when he travels to her, so she can always have a set of clothes prepared for him.

Time moves on, Clare gets older…. She hasn’t told many people about Henry because as the few she has don’t believe her, other than her having a childhood “imaginary friends.”  Henry’s already told her they get married in her future, and as she becomes a teenager she keeps trying to seduce him, but he remains a gentleman.  Clare’s friends, who don’t know about Henry puzzle over why she won’t date boys through high school.

Once they meet in “real time” Clare recognizes Henry, who is younger than he was the first time he traveled to Clare’s meadow, so he has no idea who she is.  But they hit it off, and he quickly dumps his current girlfriend so they can date and marry, etc.

It takes a little effort to keep track of the dates and Clare and Henry’s ages.  But it’s worth it.

As the book moves on previous chapters’ foreshadowing starts to clarify, for the characters and for the readers.  It gets a bit sad once it’s clear that according to Ms. Niffenegger’s time travel rules once he’s experienced something, there’s nothing anyone can do to change it, it’s happened, or it will happen exactly as he saw it.  What’s going to happen becomes utterly inevitable, even if we don’t want it too.

Ms. Niffenegger doesn’t go into the mechanics of Henry’s travel, and that’s just as well.  It’s just something that happens and the story goes with it.

Overall I very much enjoyed this book, and I’m looking forward to the eventual sequel the author is working on (following one of Henry’s relatives with a similar genetic condition).


Sunday, September 23, 2018

Review - Hawkwind's "Road to Utopia"

Hawkwind - Road to Utopia


The weather has cooled off enough to use my big stereo just in time to listen to a brand new Hawkwind album on it first.

While I read Hawkwind’s initial posting about it a couple of months ago, and new it was going to be a mostly acoustic album, the sound of it still caught me by surprise once I put it on.

It’s a rehashing, mostly acoustic of a number of their songs spanning almost five decades.  What I didn’t expect were the horn and string arrangements, like a full-blown, light pop music album.  I don’t mean horns like Nik Turner’s “asthmatic water fowl” style of saxophone, but total pop music horns.

The two instrumental songs, Hymn to the Sun and Intro The Night are both pretty boring, and thankfully short.

The song, The Flying Doctor sounds like a far more rollicking tale in this version, with the vocals a lot clearer in more muddy, electric ones.  It’s a lot easier to hear the story of the drug addicted doctor.

My favorite on this album, the one that sounds the most like you’d expect from Hawkwind, is The Watcher with Eric Clapton playing electric guitar.

Overall, I like it.  But I have to wonder, would I enjoy this music if it was some other group and not Hawkwind.  I’m not so sure.  Maybe only because I thought they were playing Hawkwind songs.

Sunday, April 24, 2016

Review: Sleep's "Dopesmoker"

Sleep - Dopesmoker


I read a “letter of recommendation” in the New York Times a few months ago for this album and it reminded me that there was a second Sleep album I wanted, but wasn’t easy to get for a number of years, and I’d forgotten about it.

But now it’s easy to order, which I did a couple of months ago.  Amazon had it available as an “auto rip” to download when buying the CD, which was a good start, but after ripping it myself from the CD, the sound quality is so much better, with a lot more clarity throughout.

And it’s the only music I’ve been playing for well over a month now.  I can’t get enough of it.  It’s one song, just slightly over an hour long, with quite a few “movements” throughout it, so it’s not boringly repetitive.

Most of the song is fairly slow, plodding and heavy.  The guitar is tuned down a few notches, making the whole feel of the song very heavy, very deep.  Much of it sounds a bit like early Black Sabbath, especially live when they take off on tangents and improvisation, but this is a little slower and a little heavier.

The singing is mostly deep, heavy growls, with only some words here and there decipherable (I’ve read the lyrics online, but I can’t pick them all out when it’s actually playing).  But that’s ok.  Even where they’re incomprehensible the sound of the singer’s voice goes very well with the music.

So much of this song sticks in my head that even when I’m not listening to it, I’m still listening to it.


Thursday, December 10, 2015

Slayer - "Repentless"

After not listening to much Slayer in the last couple of decades, except for their first album a few times a year, Show No Mercy I was seeing this one all over some online shopping sites as new and as i was buying new CDs from other bands I’ve liked for a long time, I was thinking about the Slayer songs I know.  Last month I first got into Reign in Blood for a while, then I ordered this one, Repentless.

And I like this one.

It’s their first new album after the untimely death of founder and guitarist Jeff Hanneman.  His replacement had covered for the ill Hanneman for a few years on tour, so by the time they were recording this he was well integrated into the band.  And they got another former drummer of theirs, Paul Bostaph back in.

For the first half of the album they play at lightning speed, without sounding too noisy and without Arraya’s singing getting too much into merely screaming.

The second half gets a bit noisier, with their playing sounding more random, frantic and less like songs they planned out.

Throughout it, in between furiously fast guitar solos there’s a second here, a second there of music that I’d actually really like to hear more of.  They come and go, like “hey! what was that?  I want to hear more of that!” but they’re too fleeting, gone as fast as a Kerry King guitar solo.

I’d have to say the title track, “Repentless” is my favorite song on it, the one I keep singing in my head the most when I’m not listening to any music.

Overall, it’s really good if you like this sort of thing.  And if you don’t, you’d probably hate it.

Wednesday, November 25, 2015

Slayer - "Reign in Blood" after decades...

I bought Reign in Blood on tape when it first came out in 1986, when I was 17, and while I tried to enjoy it, was definitely disappointed in it.  I’d really hoped it would be more like Show No Mercy which was and remains my favorite Slayer album.  I’ve bought a few of their albums in the intervening years, but not many of them, and none of them have excited me the way Show No Mercy does and I rarely listened to any of them.

But for some reason a couple of weeks ago I felt like listening to some Slayer again and just reading some of the song titles somewhere I heard the songs running through my head.  I don’t think i’d listened to Reign in Blood  in 20-25 years so I ordered the CD.  

Well, while it’s no Show No Mercy it’s not as bad as I remembered.  In fact, now I quite like it.

This album marks their departure from swords & sorcery, Satanic inspired lyrics into more of the morbid and evil stuff from the real world and history, serial killers, Nazis, war and so forth.

It’s fast.  The original ten songs (minus the two extras on this CD edition) clock in at slightly under half an hour, without feeling like it’s a short album.

Some of the songs feel like a bit of random playing, not like written songs, but most of it manages to work pretty well, and Tom Arraya’s singing is very much singing for most of it instead of screaming.

The mix could have used a bit more bass in it, though…  It sounds a bit tinny to my ears.

Overall, though, coming back to it somewhat fresh after close to a quarter century, I like it.




Monday, August 31, 2015

Motörhead- "Bad Magic"

Motörhead's new CD, Bad Magic arrived in the mail a few days ago and I've been listening to it off and on since then...

Overall I like it better than their last six or seven albums. This one is heavier and livelier, possible because it's the first after Lemmy's heart surgery last year, with him drink in quite a bit less.

Some of the songs are a bit dull, more random sounding noises from the guitar than music, but some of it is great.

I was quickly drawn to the song, The Devil with its deep, thundering baseline (not to mention lots of songs with subjects like that get my attention in a positive way....) following that I quite like Firestorm Hotel and Till the End.

Of course one of the absolute highlights has to be the album's closer, their cover of the Rolling Stones' Sympathy for the Devil.  It sounds great with Lemmy's gravel voice and much harder edged guitars than the original. Like the original, hey play around a lot with various sounds from differs sides of the stereo, totally unlike the usual Motörhead.

So, it's a pretty good album, probably now my favorite for this Motörhead line-up, Lemmy, Phil Campbell and Mikkey Dee.